A Journey through Galactic Déjà Vu: A Closer Look at Snyder’s “Rebel Moon”
A cinematic experience by Zack Snyder usually unwraps itself as a labyrinthine puzzle, yet this time, after immersing oneself in the 134-minute kaleidoscope of plasticized grandeur and oddly hazy storytelling that is “Rebel Moon — Part 1: A Child of Fire,” the desire to unravel its flaws seems dim.
Snyder’s vision with “Rebel Moon” channels influences from Akira Kurosawa and George Lucas, setting the stage for classical storytelling. It’s a cosmos filled with the allure of myths, sprawling action sequences on a vast canvas, meticulously crafted settings, hints of nostalgia, and a towering adversary awaiting its downfall. However, within this majestic spectacle lies a narrative that clumsily blends tired sci-fi tropes, caught between a sense of déjà vu and an avalanche of clichés. Adding to this perplexity is the curious application of blur, reminiscent of a technique employed in his rendition of the Justice League post-credits scene, delaying the immersion into the tale.
“Rebel Moon” unmistakably bears Snyder’s trademark touch. Each frame resonates with his distinct cinematic flair, a display of his prowess, albeit absent the anticipated R-rated elements that might emerge in a future director’s cut. Scenes like Kora’s (Sofia Boutella) recounting of her past, vividly brought to life with soaring scores and visually arresting slow-motion shots, fail to evoke the intended emotional resonance. Despite the gravity of the moment being crystal clear, the connection remains elusive.
Narrated by Anthony Hopkins as the last of a lineage of robotic soldiers named Jimmy, the narrative unravels in a galaxy torn by turmoil following the assassination of Motherworld’s royal family. The power to resurrect lies in the hands of Princess Issa, now deceased. Senator Balisarius assumes the mantle of Regent amidst the upheaval, sparking revolts across subsidiary planets.
In the tranquil confines of Veldt, Kora resides in a serene farming community, soon besieged by the ominous Admiral Atticus Noble (Ed Skrein) and his Imperium soldiers, hunting the rebel Bloodaxes. As these militaristic figures, draped in Nazi-esque attire, demand submission, Kora, revealed as a hardened ex-Imperium soldier in seclusion, and a farmer named Gunnar (Michiel Huisman), opt to defy Noble and his cohorts à la “Seven Samurai.”
Their quest involves recruiting fighters from disparate corners of the galaxy, a sequence that unfolds like a sequence of uniform blocks strung together. Each character introduction, while visually captivating, oscillates between spirited and soulless, thriving primarily on their intriguing designs.
The rendezvous at a bar introduces Kai (Charlie Hunnam), a self-absorbed rogue with invaluable expertise. The liberation of Tarak (Staz Nair), who tames a half-eagle, half-lion creature to join their cause, marks one of the more engaging scenes. General Titus (Djimon Hounsou), haunted by guilt and drowning his sorrows in alcohol, receives the standard remorseful commander monologue and engages in a peculiar exchange with Kora. Nemesis (Doona Bae), a swordmaster wielding blazing swords reminiscent of lightsabers, carries the weight of maternal anguish in a battle against Harmada, a spider-like alien holding a child captive for vengeance. The enigmatic Bloodaxes’ intricacies remain shrouded in mystery.
An anticipated turn of events propels this motley crew toward what should be an epic climax, yet it materializes as an extravagant yet hollow spectacle, bordering on purposelessness. Predicting the course of events becomes as challenging as deciphering cosmic secrets.
Despite ample space for mythos, Kora’s potential to carry a sequel or franchise raises doubts. Even amidst Boutella’s attempts, her portrayal flickers through a handful of rehearsed expressions. The remaining cast, while intriguing in backstory, appear akin to plastic action figurines.
Surprisingly, Snyder’s endeavor lacks the ambitious spark usually associated with his ventures. While his dedication to world-building and mythos remains evident, the dearth of fresh, innovative concepts to sustain them is palpable. As the inaugural chapter merely assembles the team, hopes perch upon the sequel to deliver on the promised allure. For now, Snyder’s heartfelt homage to an established IP remains encapsulated in his director’s cut of Justice League.
“Rebel Moon — Part One: A Child of Fire” is presently available for streaming on Netflix.
