- Cast: Vicky Kaushal, Sanya Malhotra, Fatima Sana Shaikh, Mohammed Zeeshan Ayyub, Neeraj Kabi
- Director: Meghna Gulzar
“Sam Bahadur,” the cinematic rendition of Field Marshal Sam Manekshaw’s remarkable life, carried the weight of anticipation on its shoulders. Helmed by the talented Meghna Gulzar and starring Vicky Kaushal, known for his gripping portrayals, it seemed poised for success. However, despite the arsenal of talent and a legendary protagonist, the film falls short of capturing the essence of Manekshaw’s journey.
Contents
Unraveling the Storytelling
This cinematic biography, like many in its genre, grapples with the challenge of pacing and depth. Unlike the intricate conflicts seen in films like “Oppenheimer,” “Sam Bahadur” opts for a straightforward narrative, sidestepping the complexities that could have added depth. In doing so, it inadvertently turns into a glorification rather than a nuanced portrayal. Interestingly, even the antagonist, Manekshaw’s Pakistani counterpart Yahya Khan, receives more textured characterization despite some unfortunate makeup choices.
Kaushal’s Captivating Performance
Undoubtedly, Vicky Kaushal’s portrayal of Manekshaw stands out. Amidst a year of lackluster roles, this performance echoes his brilliance seen in “Sardar Udham” and “Raazi.” Kaushal impeccably embodies Manekshaw’s mannerisms and charisma, preventing the character from slipping into caricature.
Supporting Cast Dynamics
Sanya Malhotra, portraying Sam’s wife Silloo Bode, brings a touching emotional layer to the narrative, balancing Manekshaw’s daring persona. However, the portrayal of Indira Gandhi by Fatima Sana Shaikh falls short, primarily due to casting choices.
Discordant Notes
While the film excels in individual segments, seamlessly capturing crucial moments in Manekshaw’s life, the connective tissue seems weak. The disjointed narrative, amplified by jarring music and abrupt time jumps, detracts from the otherwise engaging vignettes.
Final Verdict
“Sam Bahadur” emerges as a collection of brilliantly crafted segments that struggle to weave a cohesive, compelling tale. Jay I Patel’s stunning cinematography elevates combat scenes, offering visual treats. Despite its merits, the film’s disjointed nature might leave audiences wanting more coherence and depth.
